Revision of the author's thesis. Includes bibliographical references and index.
Contents:
Introduction: modernity, interculturalism, and hybridity -- Emergence of a national theatrical discourse -- Hybrid sources: western, Japanese, and Chinese -- Hybridization in Shanghai -- Literary hybridity: scripts and scenarios -- Translative hybridity: acculturation and foreignization -- Performance hybridity: searching for conventions -- Epilogue.
Series:
Palgrave studies in theatre and performance history
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