The Locator -- [(subject = "Slaves--Emancipation")]

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04086aam a2200493 i 4500
001 1EEADC2CF47811EDA3FB15433FECA4DB
003 SILO
005 20230517010023
008 220811s2023    txua     bc   001 0 eng  
010    $a 2022038230
020    $a 0520393309
020    $a 9780520393301
035    $a (OCoLC)1346253075
040    $a DLC $b eng $e rda $c DLC $d OCLCF $d MYA $d GUA $d SILO
042    $a pcc
043    $a n-us---
050 00 $a NB1952.L53 $b E43 2023
082 00 $a 730.973 $2 23/eng/20220928
130 0  $a Emancipation (Amon Carter Museum of American Art)
245 10 $a Emancipation : $b the unfinished project of liberation / $c Maggie Adler [and 8 others]
263    $a 2303
264  1 $a Fort Worth : $b Amon Carter Museum of American Art, $c [2023]
300    $a 138 pages : $b color illustrations ; $c 25 cm
520    $a "Emancipation critically interrogates the impact of sculpture in public life, centering around ideas of agency and emancipation in historical and contemporary expression. The fulcrum of the book will be the Amon Carter Museum of American Art's copy of John Quincy Adams Ward's bronze sculpture The Freedman (1863). Unlike conventional depictions of enslaved African Americans at this time, which showed them as powerless, this heroic figure has broken his chains. The catalogue begins with an introduction to Civil War-era works contextualizing The Freedman, then examines the work of six contemporary Black artists whose respective practices engage the mediums of sculpture and installation connected to themes of freedom or imprisonment, the long legacy of the Civil War in the United States, body, and personhood. Featuring the work of Sadie Barnette, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, as well as a reprinted short story by N.K. Jemisin, Emancipation brings contemporary issues of racial inequities, the legacy of war and conflict, and issues of freedom-or lack thereof-for Black Americans to the fore"-- $c Provided by publisher.
504    $a Includes bibliographical references and index.
505 0  $a I contain multitudes : the varied lives of a cast of J.Q.A. Ward's The Freedman / Margaret C. Adler -- The Freedman as an emergent being and emblem of Black yearning / Maurita N. Poole -- What to America is The Freedman? / Kelvin Parnell -- Artist interview / Hugh Hayden -- Artist interview / Letitia Huckaby -- From emancipation to transcendence : meditations on freedom in American art / Maurita N. Poole -- Artist interview / Alfred Conteh -- A controlled burn : discursive emancipation, abolitionism, and the consolidation of "race" in visual culture / Kirsten Pai Buick -- Artist interview / Sable Elise Smith -- The Fremonts and The Freedman / Andrew J. Walker -- Artist interview / Jeffrey Meris -- Artist interview / Sadie Barnette -- The Freedman in multiple : a look at its casting history / Thayer Tolles -- Artist interview / Maya Freelon -- An antidote to melancholy / Margaret C. Adler -- Finale : Walking awake / N. K. Jemisin.
650  0 $a Liberty in art $v Exhibitions.
650  0 $a Art and race $v Exhibitions.
600 10 $a Ward, John Quincy Adams, $d 1830-1910. $t Freedman $v Exhibitions.
650  0 $a Slaves $x Emancipation $z United States $v Exhibitions.
650  0 $a Sculpture, Black $v Exhibitions.
650  7 $a Art and race. $2 fast $0 (OCoLC)fst00815423
650  7 $a Liberty in art. $2 fast $0 (OCoLC)fst00997281
650  7 $a Sculpture, Black. $2 fast $0 (OCoLC)fst01109568
650  7 $a Slaves $x Emancipation. $2 fast $0 (OCoLC)fst01120540
651  7 $a United States. $2 fast $0 (OCoLC)fst01204155
655  7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028
700 1  $a Adler, Margaret C., $e editor.
710 2  $a Amon Carter Museum of American Art, $e host institution. $e host institution.
710 2  $a Newcomb Art Museum, $e host institution.
710 2  $a Williams College. $b Museum of Art, $e host institution. $e host institution.
941    $a 1
952    $l OVUX522 $d 20231117011449.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=1EEADC2CF47811EDA3FB15433FECA4DB

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