Includes bibliographical references (p. [277]-312) and index. Filmography: p. [313]-319.
Contents:
I. Genres of post-trauma ; 1. At the edge of a metropolis in A fine, windy day and Green fish ; 2. Nowhere to run: disenfranchised men on the road in The man with three coffins, Sopyonje, and Out to the world ; 3. "Is this how the war is remembered?": violent sex and Korean War in Silver stallion, Spring in my hometown, and The Taebaek Mountains ; 4. Post-trauma and historical remembrance in A single spark and A petal -- II. New Korean cinema auteurs ; 5. Male crisis in the early films of Park Kwang-su ; 6. Jang Sun-woo's Three "F" words: familism, fetishism, and fascism ; 7. Too early/too Late: temporality and repetition in Hong Sang-su's films -- III. Fin-de-siècle anxieties ; 8. Lethal work: domestic space and gender troubles in Happy end and The housemaid ; 9. "Each man kills the thing he loves": transgressive agents, national security, and blockbuster aesthetics in Shiri and Joint security area.
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