Halftitle Page; Title Page; Copyright Page; Contents; William Blake; Songs of Innocence: Introduction; The Shepherd; The Echoing Green; The Lamb; The Little Black Boy; The Blossom; The Chimney-Sweeper; The Little Boy Lost; The Little Boy Found; Laughing Song; A Cradle Song; The Divine Image; Holy Thursday; Night; Spring; Nurse's Song; Infant Joy; A Dream; On Another's Sorrow; Songs of Experience: Introduction; Earth's Answer; The Clod and the Pebble; Holy Thursday; The Little Girl Lost; The Little Girl Found; The Chimney-Sweeper; Nurse's Song; The Sick Rose; The Fly; The Angel; The Tyger My Pretty Rose Tree; Ah, Sunflower; The Lily; The Garden of Love; The Little Vagabond; London; The Human Abstract; Infant Sorrow; A Poison Tree; A Little Boy Lost; A Little Girl Lost; A Divine Image; A Cradle Song; The Schoolboy; To Tirzah; The Voice of the Ancient Bard; To the Muses; Love's Secret; The New Jerusalem; The Book of Thel; Song: How Sweet I Roam'd; I Saw a Chapel All of Gold; Mock on, Mock on, Voltaire, Rousseau; The Smile; Auguries of Innocence; Proverbs of Hell; William Wordsworth; Simon Lee, the Old Huntsman; We Are Seven; Lines Written in Early Spring; The Thorn Expostulation and Reply; The Tables Turned; Lines Composed a Few Miles Above Tintern Abbey; Strange Fits of Passion Have I Known; She Dwelt Among the Untrodden Ways; I Travell'd Among Unknown Men; Three Years She Grew in Sun and Shower; A Slumber Did My Spirit Seal; Lucy Gray; The Two April Mornings; Nutting; I Wandered Lonely as a Cloud; My Heart Leaps Up; Ode: Intimations of Immortality; Ode to Duty; The Solitary Reaper; Elegiac Stanzas; Composed Upon Westminster Bridge; London, 1802; The World Is Too Much with Us; To a Butterfly; Alice Fell, or Poverty; A Complaint; There Was a Boy The Reverie of Poor Susan; Written in March; Resolution and Independence; Nuns Fret Not at Their Convent's Narrow Room; Surprised by Joy; The Cuckoo and the Nightingale; Animal Tranquillity and Decay; Michael: A Pastoral Poem; Love; The Complaint of a Forsaken Indian Woman; The Dungeon; The Female Vagrant; The Idiot Boy; The Last of the Flock; Samuel Taylor Coleridge; The Rime of the Ancient Mariner; Christabel; Frost at Midnight; Kubla Khan; To the Autumnal Moon; Quae Nocent Docent; To the River Otter; Pantisocracy; To a Young Ass; The Eolian Harp Reflections on Having Left a Place of Retirement; To a Young Friend; Addressed to a Young Man of Fortune; To the Rev. George Coleridge; This Lime-Tree Bower My Prison; The Dungeon; France: An Ode; Lewti; Fears in Solitude; The Nightingale; Fragment; Hexameters; Catullian Hendecasyllables; Lines Written in the Album at Elbingerode; Lines Composed in a Concert-Room; Love; Dejection: An Ode; Reality's Dark Dream; The Picture; Inscription for a Fountain on a Heath; A Day-Dream; Answer to a Child's Question; The Pains of Sleep; Epitaph; The Exchange; Phantom; A Sunset; What Is Life? The Blossoming of the Solitary Date-Tree; To William Wordsworth; An Angel Visitant; Recollections of Love; To Two Sisters; Psyche; A Tombless Epitaph; For a Market-Clock; The Visionary Hope; Time, Real and Imaginary; An Invocation; Human Life; Song; Hunting Song; To Nature; Fragment; Limbo; Ne Plus Ultra; The Knight's Tomb; On Donne's Poetry; Youth and Age; First Advent of Love; Work Without Hope; Song; A Character; Constancy to an Ideal Object; Phantom or Fact; Reason; Self-Knowledge; Epitaph; George Gordon, Lord Byron; The Eve of Waterloo; She Walks in Beauty There Be Non of Beauty's Daughters; When We Two Parted; We'll Go No More a-Roving; And Thou Art Dead, as Young and Fair; The Destruction of Sennacherib; On This Day I Complete My Thirty-sixth Year; Prometheus; All for Love; Youth and Age; On the Castle of Chillon; It Is the Hour; Remind Me Not, Remind Me Not; And Wilt Thou Weep When I Am Low?; I Speak Not; Sonnet to Genevra; Maid of Athens, Ere We Part; There Is a Pleasure in the Pathless Woods; Darkness; To Caroline; Solitude; Love's Last Adieu; My Soul Is Dark; A Riddle on the Letter E Percy Bysshe Shelley; the Retrospect; Sonnet: To a Balloon, Laden with Knowledge; To the Emperors of Russia and Austria; Alastor; or, The Spirit of Solitude; Stanzas, April 1814; Mutability; To Wordsworth; Mont Blanc; Hymn to Intellectual Beauty; To Constantia, Singing; Ozymandias; Lines Written Among the Euganean Hills; Julian and Maddalo; Stanzas Written in Dejection; The Two Spirits; Prometheus Unbound; The Sensitive-Plant; Ode to Heaven; Ode to the West Wind; The Cloud; To a Skylark; Ode to Liberty; The Mask of Anarchy; England in 1819; To the Republic of Benevento; Lift Not the Painted Veil Ye Hasten to the Grave; Letter to Maria Gisborne; Peter Bell the Third; The Witch of Atlas; Song of Apollo; Song of Pan; The Indian Serenade; Song; Epipsychidion; Adonais; Hellas; Written on Hearing the News of the Death of Napolean; The Flower That SMiles Today; When Passion's Trance Is Overpast; Music, When Soft Voices Die; To Jane: The Invitation; To Jane: The REcollection; One Word Is Too Often Profaned; The Serpent Is Shut Out fro Paradise; With a Guitar, to Jane; To Jane; Lines Written in the Bay of Lerici; The Triumph of Life; Love's Philosophy; To Night; When the Lamp is Shattered Song to the Men of England; John Keats; To Some Ladies; On Receiving a Curious Shell, and a Copy of Verses, from the Same Ladies; Three Sonnets on Woman; To My Brother George; To ---; Written on the Day that Mr. Leigh Hunt Left Prison; How Many Bards Gild the Lapses of Time: To a Friend Who Sent Me Some Roses; To G. A. W.; O Solitude: If I Must with Thee Dwell; To My Brothers; Keen, Fitful Gusts Are Whisp'ring Here and There; To One Who Has Been Long in City Pent; On First Looking into Chapman's Homer; On Leaving Some Friends at an Early Hour; Addressed to Haydon Addressed to the Same; On the Grasshopper and Cricket; To Kosciusko; Happy Is England!; Sleep and Poetry; A Thing of Beauty; Song of the Indian Maid; The Eve of ST. Agnes; Ode to a Nightingale; Ode on a Grecian Urn; Ode to Psyche; Fancy; Bards of Passion and of Mirth; To Autumn; Ode on Melancholy; On Death; Women, Wine and Snuff; Fill for Me a Brimming Bowl!; Ode to Apollo; On Seeing the Elgin Marbles; Lines on Seeing a Lock of Milton's Hair; On Sitting Down to Read King Lear Once Again; When I Have Fears That I May Cease to Be; Stanzas; Ode to Fanny; Ode on Indolence; La Belle Dame Sans Merci; To Fanny; To Sleep; To Solitude; Bright Star, Would I Were Steadfast.
Summary:
"Romanticism gained traction in the late 1700s as writers moved away from the intellectualism of the Enlightenment and toward more emotional and natural themes. The major works of the movement's five most famous poets - William Wordsworth, George Gordon Byron, Percy Bysshe Shelley, Samuel Taylor Coleridge, William Blake, and John Keats - are represented in this handsome Word Cloud Classics volume, The Romantic Poets. One of the largest and most influential artistic movements in history, Romanticism valued intuition and pastoralism, and its themes are well represented in the verse of its stars"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.