Includes bibliographical references (p. 203-211) and index.
Contents:
Introduction: Ingmar Bergman and the foreign self -- "Foreign and refreshing": the art cinema's queer allure -- The cultural construction of a Cold War auteur: discourse and counterdiscourse -- The uncanny undefined -- Staring down gender: "caught between the shame of looking and the shame of being ashamed to do so" -- Conclusion.
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