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03914aam a2200505 i 4500 001 D324B70C1E3F11EAA58222FC96128E48 003 SILO 005 20191214010106 008 170706t20182018enkagh b 001 0 eng 010 $a 2017032435 020 $a 1108432603 020 $a 9781108432603 020 $a 1108421407 020 $a 9781108421409 035 $a (OCoLC)993134430 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d OCLCQ $d QGJ $d YDX $d OCLCO $d MBB $d UKMGB $d TDF $d OKX $d FUG $d WTU $d COD $d UPM $d YUS $d XII $d ICW $d RES $d UtOrBLW $d SILO 042 $a pcc 043 $a ew----- $0 http://id.loc.gov/vocabulary/geographicAreas/ew 050 04 $a ML174 $b .R36 2018 $0 http://id.loc.gov/authorities/classification/M 082 00 $a 780.1/4809 $2 23 100 1 $a Rankin, Susan, $e author. $0 http://id.loc.gov/authorities/names/n88164041 245 10 $a Writing sounds in Carolingian Europe : $b the invention of musical notation / $c Susan Rankin. 246 30 $a Invention of musical notation 264 1 $a Cambridge, United Kingdom ; $b Cambridge University Press, $c 2018. 300 $a xxiii, 404 pages : $b illustrations, music, facsimiles ; $c 29 cm. 490 1 $a Cambridge studies in palaeography and codicology 520 $a Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632-1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged [Publisher description] 504 $a Includes bibliographical references (pages 370-390) and indexes. 505 0 $a Part I : Musical literacy -- Writing music -- Paleographical study of neumatic notations (from 1681 to the present) -- Music notations 800-900 : the evidence -- Part II : Music scripts -- Graphic techniques and strategies -- Frankish scripts -- Lotharingian and Breto scripts -- Paleofrankish script -- Music scripts : conclusions -- Part III : Writing sound -- Signs and meaning -- Writing music : accents -- The Carolingian invention of music writing -- Appendix : Manuscripts with notations written in the ninth century. 648 7 $a To 1500 $2 fast 650 0 $a Musical notation $x History $y To 1500. 650 0 $a Musical notation $z Europe, Western $x History $y To 1500. 650 0 $a Paleography, Musical. $0 http://id.loc.gov/authorities/subjects/sh85097089 650 0 $a Music $y 500-1400 $x Manuscripts. 650 0 $a Neumes. $0 http://id.loc.gov/authorities/subjects/sh85091086 650 0 $a Carolingians. $0 http://id.loc.gov/authorities/subjects/sh85020340 650 7 $a Music $x Manuscripts. $2 fast $0 (OCoLC)fst01030385 650 7 $a Musical notation. $2 fast $0 (OCoLC)fst01030779 650 7 $a Neumes. $2 fast $0 (OCoLC)fst01036242 650 7 $a Paleography, Musical. $2 fast $0 (OCoLC)fst01051471 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 830 0 $a Cambridge studies in palaeography and codicology. $0 http://id.loc.gov/authorities/names/n92116414 941 $a 1 952 $l OVUX522 $d 20191214022515.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D324B70C1E3F11EAA58222FC96128E48Initiate Another SILO Locator Search