677 records matched your query
03933aam a2200481 i 4500 001 489C57980CD411EEAAE9666853ECA4DB 003 SILO 005 20230617010022 008 221128s2023 nyua b 001 0deng 010 $a 2022040559 020 $a 0231201575 020 $a 9780231201575 020 $a 0231201567 020 $a 9780231201568 035 $a (OCoLC)1353605208 040 $a DLC $b eng $e rda $c DLC $d YDX $d OCLCF $d UKMGB $d YDX $d NUI $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PN1998.3.F726 $b Z79 2023 082 00 $a 791.43/6110973 $2 23/eng/20221208 100 1 $a Zryd, Michael, $e author. 245 10 $a Hollis Frampton : $b navigating the infinite cinema / $c Michael Zryd. 264 1 $a New York : $b Columbia University Press, $c [2023] 300 $a xiv, 306 pages : $b illustrations ; $c 24 cm. 490 1 $a Film and culture 520 $a "Within the history of American experimental film there are few figures as central as Hollis Frampton. Yet it is Frampton's navigation of multiple artistic media and discourses outside the hermetic experimental film universe that marks him as still relevant to twenty-first century aesthetic and cultural debates. Throughout his career, Frampton explored related emerging image arts like early xerography, video, and computers. He was a pioneering digital artist who anticipated collaborative DIY open source programming through his Digital Media Lab. In short, Frampton's importance in American experimental film lies partly in the wide network of connections he represents to other arts, histories, and cultural frameworks. At the center of Frampton's work is his unfinished film, Magellan, which represents a key to understanding his legacy for contemporary art and cinema. Michael Zryd argues that, on one level, the Magellan metaphor is Frampton's way of yoking the modernist project of radical investigation of art and medium to the larger historical and epistemological tradition of Enlightenment thought. On another level, as Frampton begins to critique the modernist project-especially its purism, austerity, and hidden histories of power-he opens up the deeper problems of the Enlightenment tradition, especially the political legacy of capitalism and colonialism, as well as the totalizing logics behind it. While focusing on Magellan, Zryd also considers the full scope of Frampton's works and his exploration of how cinema attempts to capture and understand the world"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Introduction : from the chemistry of cobalt to the chemistry of dirt -- A brief introduction to Frampton's films before Magellan -- An introduction to Magellan -- Metahistory and the archive : "historical necessity" and tradition -- Encyclopedism, the universe, and everything -- Archeology : millennial allegories of art, representation, and politics in the camera arts -- The constellation -- Conclusion : virtual future metahistory. 600 10 $a Frampton, Hollis, $d 1936-1984 $x Criticism and interpretation. 650 0 $a Experimental films $z United States $x History and criticism. 650 0 $a Motion picture producers and directors $z United States $v Biography. 650 0 $a Criticism. 650 7 $a Experimental films. $2 fast $0 (OCoLC)fst00918452 650 7 $a Motion picture producers and directors. $2 fast $0 (OCoLC)fst01027225 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a Biographies. $2 fast $0 (OCoLC)fst01919896 655 7 $a Biographies. $2 lcgft 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i Online version: $a Zryd, Michael. $t Hollis Frampton $d New York : Columbia University Press, [2023] $z 9780231554169 $w (DLC) 2022040560 830 0 $a Film and culture. 941 $a 1 952 $l OVUX522 $d 20231117013959.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=489C57980CD411EEAAE9666853ECA4DBInitiate Another SILO Locator Search