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03543aam a2200469 i 4500 001 FAB846EC3D8C11EE8AE814B62EECA4DB 003 SILO 005 20230818010103 008 211112t20222022be a b 001 0 eng d 020 $a 1912554968 020 $a 9781912554966 020 $a 191255495X 020 $a 9781912554959 020 $a 1912554801 020 $a 9781912554805 035 $a (OCoLC)1285276557 040 $a ERASA $b eng $e rda $e rda $c ERASA $d OCLCO $d QGJ $d ZCU $d JPG $d YDX $d UKMGB $d HTV $d PUL $d SILO 043 $a e-it--- 050 4 $a NB623.G467 $b S38 2022 082 04 $a 709.945 100 1 $a Schulz, Anne Markham, $d 1938- $e author. 245 10 $a Late Gothic sculpture in Northern Italy : $b Andrea da Giona and i Maestri Caronesi : an addition to the Pantheon of Venetian sculptors / $c Anne Markham Schulz. 246 30 $a Andrea da Giona and i Maestri Caronesi : $b an addition to the Pantheon of Venetian sculptors 264 1 $a Turnhout, Belgium : $b Harvey Miller Publishers, $c [2022] 300 $a 2 volumes : $b illustrations ; $c 31 cm 490 1 $a Studies in Medieval and Early Renaissance Art History 504 $a Includes bibliographical references (pages 177-203) and index. 505 0 $a volume I. Text -- volume II. Illustrations. 520 8 $a This book explores the sculpture dispersed throughout Northern Italy in the second quarter of the fifteenth century by masters from the shores of Lake Lugano and identifies Andrea da Giona as the elusive author of Venice's preeminent sculpture at the intersection of Gothic and Renaissance art, the Mascoli Altarpiece in San Marco. Over the course of a century and a half more than forty late Gothic sculptures have been recognized as sharing a vocabulary of figure and facial types, drapery, wings, and hair. Despite the fact that all the works date from the second quarter of the fifteenth century, they were widely distributed throughout Northern Italy - from Udine in the east to Venice, Ferrara, Vicenza, Verona, Milan, Genoa, and Savona in the west. Payments for the greatest of these works, the Milanese Tomb of Giovanni Borromeo, name as its authors Filippo Solari and Andrea, both from Carona or its satellite Giona, towns in the Ticino close to Lake Lugano which gave birth to several famous dynasties of stonecarvers. How Filippo and Andrea and their numerous assistants, known generally as maestri caronesi, were linked and what kinds of organizations permitted such wide-spread activity over such a narrow span of time are questions asked here for the first time. On the basis of close analyses of comparable works, moreover, it proves possible - not only to identify the chief among these maestri caronesi as Andrea da Giona (d. 1449) - but to follow his career in Castiglione Olona, Milan, and Venice where he was preeminent during the transition from late Gothic to Renaissance sculpture. 600 10 $a Giona, Andrea da, $d -1449. 650 0 $a Sculpture, Late Gothic $z Italy, Northern. 650 0 $a Sculpture, Italian $z Italy, Northern. 650 7 $a Sculpture, Late Gothic. $2 fast $0 (OCoLC)fst01109765 650 7 $a Stone carving. $2 fast $0 (OCoLC)fst01133837 651 7 $a Italy $z Venice. $2 fast $0 (OCoLC)fst01204473 651 7 $a Northern Italy. $2 fast $0 (OCoLC)fst01692643 648 7 $a 1400-1499 $2 fast 700 1 $a Giona, Andrea da $d -1449. 830 0 $a Studies in medieval and early Renaissance art history. 941 $a 1 952 $l OVUX522 $d 20231117021352.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=FAB846EC3D8C11EE8AE814B62EECA4DBInitiate Another SILO Locator Search