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02768aam a2200337Ii 4500 001 371B3E18B0D511E8923D894D97128E48 003 SILO 005 20180905010705 008 180328t20182018onca b 001 0 eng d 020 $a 1487502141 020 $a 9781487502140 035 $a (OCoLC)1029803883 040 $a YDX $b eng $e rda $c YDX $d BDX $d NLC $d OCLCO $d OCLCF $d YDX $d JHE $d SILO 050 4 $a PQ9697 L585 Z867 2018 050 4 $a PQ9697 L585 Z735 2018 100 1 $a Rocha, MariÌlia Librandi, $e author. 245 10 $a Writing by ear : $b Clarice Lispector and the aural novel / $c MariÌlia Librandi. 246 30 $a Clarice Lispector and the aural novel 264 1 $a Toronto : $b University of Toronto Press, $c [2018] 300 $a xxi, 214 pages : $b illustrations ; $c 24 cm. 490 1 $a University of Toronto romance series 504 $a Includes bibliographical references and index. 520 $a "Considering Brazilian novelist Clarice Lispector's literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and Jo[gamma]o Guimar[gamma]es Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing."-- $c Provided by publisher. 600 10 $a Lispector, Clarice $x Criticism and interpretation. 650 0 $a Orality in literature. 650 0 $a Sound in literature. 830 0 $a University of Toronto romance series (Unnumbered) 941 $a 1 952 $l USUX851 $d 20180905050315.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=371B3E18B0D511E8923D894D97128E48 994 $a C0 $b IWAInitiate Another SILO Locator Search