The Locator -- [(title = "One on one ")]

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02978aam a2200409Ii 4500
001 F3158210083E11EABF3FA51A97128E48
003 SILO
005 20191116010051
008 190522s2019    nyuac    b    000 0 eng d
020    $a 1633450759
020    $a 9781633450752
035    $a (OCoLC)1104614235
040    $a UKMGB $b eng $e rda $c UKMGB $d OCLCF $d OCO $d MMX $d CAM $d ERASA $d ZQP $d YDX $d UtOrBLW $d SILO
043    $a n-us-ny $0 http://id.loc.gov/vocabulary/geographicAreas/n-us-ny
050  4 $a N6559.K34 $b A72 2019 $0 http://id.loc.gov/authorities/classification/N
082 04 $a 759.972 $2 23
100 1  $a Roberts, Jodi, $e author. $0 http://id.loc.gov/authorities/names/no2014050936
245 10 $a Frida Kahlo : $b Self-portrait with cropped hair / $c Jodi Roberts.
246 30 $a Self-portrait with cropped hair
264  1 $a New York : $b The Museum of Modern Art, $c [2019]
300    $a 45 pages : $b illustrations (some color), portraits ; $c 23 cm.
490 1  $a One on one series
500    $a "Each volume in the One on One series is a sustained meditation on a single work from the collection of The Museum of Modern Art"--Page 2 of cover.
504    $a Includes bibliographical references (pages 45-46).
520 8  $a Neutral hues, an ill-fitting man?s suit and wiggling locks of cut hair supplant Frida Kahlo?s (1907?54) usual lively color palette, indigenous Mexican dress and long plaits in Self-Portrait with Cropped Hair (1940). Nevertheless, the painting remains unmistakably Kahlo?s. In the wake of a divorce from artist Diego Rivera, Kahlo turns to her favorite genre, self-portraiture, to express her deepest emotional and psychological urges. Inscribed with the lyrics of a popular song that translate as ?Look, if I loved you it was for your hair. Now that you?re without it I no longer love you,? the work oscillates between evocations of a popular culture shared by many and unflinching forays into the private sphere. Curator Jodi Roberts' essay, too, moves between the public and the private as it situates Kahlo?s painting in the context of the Mexican Revolution?s legacy, the Surrealist tradition and the artist?s own life to explore the ways in which Kahlo constructed and reconstructed her own identity.
600 10 $a Kahlo, Frida. $t Self-portrait with cropped hair.
600 10 $a Kahlo, Frida. $0 http://id.loc.gov/authorities/names/n82031966
600 10 $a Kahlo, Frida $x Self-portraits.
610 20 $a Museum of Modern Art (New York, N.Y.) $0 http://id.loc.gov/authorities/names/n79021281
650  0 $a Art $z New York. $z New York.
600 17 $a Kahlo, Frida. $2 fast $0 (OCoLC)fst00088364
655  7 $a Self-portraits. $2 fast $0 http://id.worldcat.org/fast/1423903 $0 http://id.worldcat.org/fast/1423903
700 12 $a Kahlo, Frida. $t Works. $k Selections.
830  0 $a 1 on one. $0 http://id.loc.gov/authorities/names/no2012109489
941    $a 1
952    $l OVUX522 $d 20191213014708.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F3158210083E11EABF3FA51A97128E48

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